

Andrea Van Eyck
(Donostia–San Sebastián, 1995)
Andrea Van Eyck is a multidisciplinary artist whose practice moves between the poetic, the performative, and the spiritual — as a gesture of communion with the invisible.
She graduated in Performing Arts and Acting from TAI (Rey Juan Carlos University – Madrid) in 2018. Her passion for the arts led her to London, where she continued her training at LAMDA, and to Florence, where she deepened her studies in Art History and Visual Arts at the Accademia d’Arte – ADA.
Her artistic journey was profoundly shaped by her final degree project, Hypothesis on the Possible Relationship between Flamenco and Butoh, which took her to the United States to train at The Vangeline Theater in Japanese Butoh dance-theatre. That experience defined the central axis of her work: the search for light in the midst of tragedy.
Andrea is recognized for her experimental and conceptual approach, exploring beauty as a source of well-being. Her creations — often described as “fertile preciosities” — navigate themes such as occultism, spirituality, and the relationship with nature, while engaging in a critical re-reading of the Judeo-Christian legacy that underpins much of her work.
As an active member of the Rivas Cherif Laboratory at Spain’s National Dramatic Center, she collaborates with prominent artists and contributes to the evolution of contemporary performance. In 2018, Madrid’s Cuarta Pared Theatre hosted her first work as a director, playwright, and actress — La Vasca — within the Essence Festival. In 2022, she made her London debut with Becoming, a piece supported by the Migrants in Theatre program at the New Diorama Theatre.
Recently, Andrea has presented her solo exhibition Maps of the Subconscious (Kur Gallery, San Sebastián) and the performance El Ángel (Teatro Pavón, Madrid), both marking a new stage in her practice — one that integrates ritual, beauty, and revelation as living artistic matter.
In 2025, she published her first book, Hermosario: un cuerpo escrito en cinco misterios — a living work that opens a new cycle in her creative journey, unfolding into a scenic and ritual project.
Andrea imparts creative retreats and encounters where she shares her artistic philosophy and the tools she cultivates to open cracks toward the invisible: meditation, intuitive collage, symbolic writing, and the reading of the unconscious.
“I believe in art as liturgy, in beauty as a path, in love as language.”
— Andrea Van Eyck


ANDREA SAYS
I create fertile preciousness.

ANDREA IS
Andrea is an actress, theater director, playwright, and conceptual artist. She lives between London and Madrid, where she is engaged in the execution of personal projects and commissions. Regularly, she organizes creative workshops, where she shares her artistic philosophy and creative tools.
Andrea Van Eyck
(Donostia–San Sebastián, 1995)
Andrea Van Eyck is a multidisciplinary artist whose practice moves between the poetic, the performative, and the spiritual — as a gesture of communion with the invisible.
She graduated in Performing Arts and Acting from TAI (Rey Juan Carlos University – Madrid) in 2018. Her passion for the arts led her to London, where she continued her training at LAMDA, and to Florence, where she deepened her studies in Art History and Visual Arts at the Accademia d’Arte – ADA.
Her artistic journey was profoundly shaped by her final degree project, Hypothesis on the Possible Relationship between Flamenco and Butoh, which took her to the United States to train at The Vangeline Theater in Japanese Butoh dance-theatre. That experience defined the central axis of her work: the search for light in the midst of tragedy.
Andrea is recognized for her experimental and conceptual approach, exploring beauty as a source of well-being. Her creations — often described as “fertile preciosities” — navigate themes such as occultism, spirituality, and the relationship with nature, while engaging in a critical re-reading of the Judeo-Christian legacy that underpins much of her work.
As an active member of the Rivas Cherif Laboratory at Spain’s National Dramatic Center, she collaborates with prominent artists and contributes to the evolution of contemporary performance. In 2018, Madrid’s Cuarta Pared Theatre hosted her first work as a director, playwright, and actress — La Vasca — within the Essence Festival. In 2022, she made her London debut with Becoming, a piece supported by the Migrants in Theatre program at the New Diorama Theatre.
Recently, Andrea has presented her solo exhibition Maps of the Subconscious (Kur Gallery, San Sebastián) and the performance El Ángel (Teatro Pavón, Madrid), both marking a new stage in her practice — one that integrates ritual, beauty, and revelation as living artistic matter.
In 2025, she published her first book, Hermosario: un cuerpo escrito en cinco misterios — a living work that opens a new cycle in her creative journey, unfolding into a scenic and ritual project.
Andrea imparts creative retreats and encounters where she shares her artistic philosophy and the tools she cultivates to open cracks toward the invisible: meditation, intuitive collage, symbolic writing, and the reading of the unconscious.
“I believe in art as liturgy, in beauty as a path, in love as language.”
— Andrea Van Eyck
ANDREA SAYS
I create fertile preciousness.
ANDREA IS
Andrea is an actress, theater director, playwright, and conceptual artist. She lives between London and Madrid, where she is engaged in the execution of personal projects and commissions. Regularly, she organizes creative workshops, where she shares her artistic philosophy and creative tools.
COPYRIGHT © 2025 ANDREA VAN EYK ALL RIGHTS RESERVED
COPYRIGHT © 2025 ANDREA VAN EYCK